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The French-Italian border at the Montgenèvre pass. Daytime reality: tourism, capital invested to make the mountain profitable. At night: the fragile destiny of more than ten thousand men, women and children who, in four years, risked their lives to cross the border.

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A young woman taking care of her diabetic father gets involved in a one way relationship. Portrait of a generation about to replace another, Demain is a film based on an inertia marked youth, and on it's precursors confronted to their own disappearance.

Delmira Agustini (Uruguay, 1886-1914) is considered one of the greatest female poets in Latin America. Filmmaker Laurent provides a beautiful, calm and sometimes playful portrait of her brief life. Agustini had two passions: love and poetry. Tragic artists’ lives are always a thankful subject for films. Certainly if they end the same way as Shakespeare’s Romeo & Juliet. In this subtle, super-cooled biography, the French director/scriptwriter/actress Christine Laurent filmed the life of Delmira Agustini (1886-1914), a famous name within female poetry in Latin America. As a member of the Uruguayan aristocratic class, Agustini lived her short life in luxurious mansions, stylishly depicted by Laurent. Here she had all the room she needed to write her titillating, erotic poems. Laurent focuses primarily on the fickle love life on which Agustini's work was based. Her relationship with the possessive Enrique Job Reyes had its ups and downs. He wants to marry her, but she has her doubts and also has to come to terms with her dominant mother. Spoken in French, Demain? turns into a portrait of a young woman who, despite growing up in relative freedom, has to fight for her independence.

《那些脸红的人》讲述了一位代课老师（由朱利安·加斯帕 - 奥利维里本人饰演）打破了瑞士一所高中（在瑞士被称为“gymnasium”）的单调氛围。这位新人负责一间散发着潮湿气味的剧院工作坊，他建议学生们充满激情地“体验”戏剧，将其视为一门艺术而非仅仅是一项爱好，从而打乱了学生们的固有习惯。这……

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A housewife, wife of an influential businessman, vanishes. Her neighbor decides to investigate.

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